Publications

Monograhps

transformingbodies Transforming Bodies: Makeovers and Monstrosities in American Culture. Basingstoke: Palgrave Macmillan, 2015.
Review: Judy Verseghy, “Book Review: Transforming Bodies: Makeovers and Monstrosities in American Culture. Steinhoff, Heike (2015)”. Health Tomorrow 3 (2015): 145-146.

 

11100-5Steinhoff.inddQueer Buccaneers: (De)Constructing Boundaries in the PIRATES OF THE CARIBBEAN Film Series. Münster: LIT, 2011.
Press: “Kulturelle Bedeutungsträger: Studie zum ‘Fluch der Karibik’“. [Cultural Carriers of Meaning: Study of Pirates of the Caribbean]. WDR 3. Resonanzen: Die Welt aus dem Blickwinkel der Kultur. Radio interview.
Review: Ganser, Alexandra. “Grenzüberschreitungen in den Pirates of the Caribbean. Heike Steinhoff, Queer Buccaneers: (De)Constructing Boundaries in the Pirates of the Caribbean Film Series.” Pop. Kultur und Kritik, Oct. 2012

Articles:
  • Steinhoff, H. “Lonely Men in the City: Refn’s Drive and McQueen’s Shame“. Visions of Identity: Global Film and Media. Ed. Philipp Drummond. London: The London Symposium, 2016. 337-348.
  • Steinhoff, H. “Piraten im Hollywoodkino: Genre, Gender und Sexualität in Pirates of the Caribbean I-IV“. [Pirates in Hollywood Cinema: Genre, Gender and Sexuality in Pirates of the Caribbean I-IV”]. Populäre Piraten: Vermessung eines Feldes. Ed. Irmtraud Hnilica und Marcel Lepper. Berlin: Kadmos Kultuverlag, 2017.
  • Steinhoff, H. “Gender, Sexuality, Nationality, and the Pirate as Mobile Signifier in Captain Blood, Anne of the Indies, Cutthroat Island and Pirates of the Caribbean”. Pirates, Drifters, Fugitives: Figures of Mobility in American Culture and Beyond. Ed. Ganser, Alexandra, Heike Paul and Katharina Gerund. Heidelberg: Winter, 2012.
  • Steinhoff, H., and V. Siebert. “The Female Body Revamped: Beauty, Monstrosity and Body Transformation in the Twilight Saga.” Kultur und Geschlecht 8 (2011).
  • Steinhoff, H. ‘Monstrous Makeovers: Self-Transformation, Gender Trouble and Bodily Resistance in Chuck Palahniuk’s Invisible Monsters‘. El cuerpo del significante. La literatura contemporánea desde las teorías corporales. Eds. Falconí, Diego and Noemí Acedo. 2011.
  • Steinhoff, H. “‘Yo-ho, A Pirate’s Life For Me’ – Queer Positionalities, Heteronormativity and Piracy in Pirates of the Caribbean in Copas Vol. 8 (2007).
Reviews: